Black and white photography has a way of slowing things down. Without the pull of color, what’s left feels more honest — light, shadow, shape, and the quiet emotion in between. It lets us see the small details we might otherwise miss: the curve of a hand, the texture of a wall, the softness of morning light. There’s something deeply human about it — it feels timeless, grounded, and real. In black and white, a photograph becomes less about what we see and more about what we feel.